Praised by the Boston Globe as “one of the finest pianists active in America,” he is well-known in the music world for his eloquent, poetic, and dramatically intense performances. Professor Ying’s reputation for creating profound interpretations played at the highest level of virtuoso accomplishment has earned him a distinguished place among today’s most exciting, original and accomplished artists of his generation.
Professor Ying is the winner of many prestigious awards, including high honors at the Eighth Van Cliburn International Piano Competition in 1989. The Times of London said of him, “His quality of sound is intensely imaginative, achieved and beautiful, with the capacity for largeness and fullness; and he showed in his phrasing a courtesy towards the music, inviting it rather than applying force, that was rare. This is an undemonstrative and unpretentious musician.” The Chicago Tribune said, “Ying has individual ideas; he can clearly do anything he wants at the piano. But he is far too intelligent and sensitive to waste his big technique in superficial display. There is an integrity to his pianism that commands respect.”
There have also been many articles written about Professor Ying, including profiles in The New York Times, Christian Science Monitor, and People Magazine. A frequent juror at competitions, he served on the Grant Panel of the National Endowment for the Arts.
Professor Ying has appeared with numerous orchestras, including the Rochester Philharmonic, Louisville Orchestra, Chicago Sinfonietta at Orchestra Hall, and the symphonies of Atlanta, Fort Worth, Toledo, Columbus, Colorado, Hartford, Jacksonville, Spokane, Oakland, Madison, Wichita, Ann Arbor, Shanghai, and Hong Kong Philharmonic, among others. Solo recitals have taken him across North America, Europe, and from Casablanca to Seoul; he has also performed at Jordan Hall, Weill Recital Hall at Carnegie, Orchestra Hall in Chicago, Mondavi Center, Bass Hall in Fort Worth, Woodruff Arts Center, Shanghai Grand Opera Theater, Taipei National Theater, Hong Kong Cultural Centre Concert Hall, and in Bangkok Thailand, among many other locales.
During the 2003-04 season alone, Professor Ying performed nine different concerti with orchestras across the U.S. The Boston Globe chose Tian Ying’s Bank of Boston Celebrity Series concert as one of the Top Ten in classical music events; The Miami Herald chose his performance of Beethoven’s Piano Concerto No. 5 at the Opening Concert at the 2009 Festival Miami as the Top Five performances of the year.
Recent and upcoming engagements include recitals at Universities of Louisville, Wisconsin, Alabama, and South Carolina, Coker College, Lee University, and festivals at Southeastern, Eastern Music, Pine Mountain and many others.
Tian Ying is Associate Professor of Keyboard Performance at the Frost School of Music (University of Miami). He has held that position since 2002.
Professor Ying records for Centaur Records and DeMA Records.
Asiya Korepanova is a creative force. Her virtuosity as a pianist is best defined by a supreme level of technical aptitude, combined with her acutely individualized musical interpretations. A broad and unique artist, she expresses herself through several mediums; transcription, visual arts, poetry and composition. Through exploring and combining these art forms, Asiya continually rediscovers new ways to apply her creativity. Having an extensive piano repertoire, she is most fond of performing entire piano cycles. She is currently the only pianist to perform the complete 24 Franz Liszt Etudes at the same recital, a collection of pieces notorious for their prowess and dexterity, each etude effectively serving as a symphonic poem within itself.
In accordance with this passion, in June 2017 Asiya launched ‘Festival Baltimore’, a two-week chamber music series and summer academy featuring the complete works of composers in various genres. Although only in its first year at the Linehan Hall of University of Maryland, Baltimore County, the festival has already solidified its reputation as a highly original musical series, both in concept and context; offering a distinctive twist on programming.
An enthusiastic transcriber, Asiya composed the first ever transcriptions of Richard Strauss’ “Ein Heldenleben”, for piano solo and complete Rachmaninoff Cello Sonata. Among her other transcriptions are works by Faure, Berg, Amy Beach, Mussorgsky, Tchaikovsky, and others.
Many of her transcriptions can be heard in her YouTube vlog project “Midnight Pieces”, a one of its kind project launched in September, 2017. The weekly vlog presents 53 pieces over the course of 12 months, a new piece presented each week. Curated in groupings of four, each four week section is comprised of; a well-known piece, a piece by a Russian composer, an obscure piece, and a transcription by Asiya.
Asiya has performed more than 55 piano concertos with orchestras. She has worked with Hans Graf, Joseph Silverstein, Michael Butterman, Enrique Mazzola, Vladimir Spivakov, Mark Gorenstein, Stephen Gunzenhauser, Jeffrey Rink, Peter Tiboris and Ion Marin; playing in the United States, Canada, Russia, France, Germany, Austria, Spain, Italy, Luxembourg, Greece, Czech Republic, England, Australia, Kuwait, and India.
The daughter of a composer, Asiya has premiered 3 concertos of Russian contemporary composers, Vladislav Kazenin and Shamil Timerbulatov, together with the Svetlanov Symphony Orchestra of Russia, the Saint Petersburg Capella Symphony Orchestra, the Ural Philharmonic Orchestra and the Tatarstan National Symphony Orchestra.
In the United States, she premiered the Faust concerto for Piano, Flute and Saxophone by Thomas Sleeper. Also, she commissioned a piano concerto and series of transcendental etudes by American composer Matthew Evan Taylor. Other engagements included; collaborations with trumpet virtuoso Craig Morris during the world premiere of “The Lightning Fields”- a new composition from Grammy Award-winning composer Michael Daugherty, and the European premiere of Thomas Sleeper’s Sonata for Piano and Alto saxophone “Seven Deadly Sins”- performed with saxophone legend Dale Underwood.
Asiya developed and performed several multimedia projects with her own poetry and drawings set to Liszt’s Transcendental Etudes, Bach’s Well-Tempered Clavier and Tchaikovsky’s Eighteen Pieces, Op. 72. She performs them live, featuring projection of her artwork and narrating the poetry between playing each separate piece of music.
Asiya was born in 1984 in Izhevsk, Russia. Raised in a musical family, she began to learn piano when she was 4 years old from her mother, her first piano teacher. She was taught to read music in orchestral clefs by her father, an exemplary composer, at the age of 6. At 9, she had her orchestral debut, with Mozarts’ no 8 Concerto, adding her own cadenza, and her first philharmonic recital.
She was awarded the Russian Federation’s President Award for “Exceptional Achievement in the Arts” when she was 12. She has been honored with the National Award from the Republic of Udmurtia (2002), Germany’s Berliner Salon Award (2003), and Russia’s Youth Triumph Award (2005). In 2009, she became an Honored Artist of Udmurtia, and a soloist with the Moscow Philharmonic Society
Asiya moved to the United States in 2012, at the invitation of renowned concert pianist Santiago Rodriguez. In the same year, she became a Gold Medal winner at the Nina Wideman International Piano Competition in Shreveport, Louisiana. She has garnered national attention and performed at and participated in; the Stern Auditorium at Carnegie Hall, the Bargemusic Series and Symphony Space in New York, the Phillips Collection in Washington, DC, the Dame Myra Hess Memorial Series, the Pianoforte Foundation Series in Chicago and the Sarasota Artist Series. In addition, she has made appearances in Baltimore, San Francisco, Los Angeles, Miami and Atlanta. Her recitals have been broadcasted nationally by NPR stations WFMT and WETA. Recently, CNN featured Asiya performing, and covered the specialized programs she offers school children.
Asiya launched “Music for Minds”, a non-profit organization with a dual primary focus; bringing classical performances to children directly to their classrooms, and creating music festivals with unique programming.
This season, Asiya debuts at the Eurasia Festival in New York and Miami Piano Festival in South Florida, and tours in Canada, Australia, Russia, and Italy. She will also be completing several recordings which feature the complete Rachmaninoff sonatas, including the first ever solo piano transcription of Rachmaninoff Cello sonata which she completed in 2014. A special DVD of Asiya performing at the Tchaikovsky’s birthplace upon an invitation from the Russian government will also be released. In June 2018, she will be running the Festival Baltimore for the second time, collaborating with world-renowned musicians and performing versatile programs which include works by Richard Strauss, Robert Schumann, Felix Mendelssohn, Bela Bartok and George Crumb.
Jenny Lin is one of the most respected young pianists today, admired for her adventurous programming and charismatic stage presence. Her ability to combine classical and contemporary literature has brought her to the attention of international critics and audiences. She has been acclaimed for her “remarkable technical command” and “a gift for melodic flow” by The New York Times. The Washington Post praises “Lin’s confident fingers… spectacular technique… “, “…surely one of the most interesting pianists in America right now…” and Gramophone Magazine has hailed her as “an exceptionally sensitive pianist”. Martha Argerich wrote: “Miss Jenny Lin is a very gifted young musician and a brilliant pianist.”
Jenny’s orchestral engagements have included Beethoven’s Choral Fantasy with Collegiate Chorale and American Symphony, Valentin Silvestrov’s Metamusik with Winnipeg Symphony Orchestra, Manuel de Falla’s Nights in the Garden of Spain with La Orquesta Sinfónica de Gijón; Ernest Bloch’s Concerto Grosso No. 1 with SWR Rundfunkorchester; world premiere of Stefano Gervasoni’s Piano Concerto with Orchestra Sinfonica Nationale della RAI, and Tchaikovsky’s Piano Concerto No. 1 with National Symphony Orchestra of Taiwan. She has also worked with NDR Radiophilharmonie, Flemish Radio Orchestra, Nürnberger Symphoniker, Spoleto Festival Orchestra, Chamber Orchestra of Philadelphia, and performed with conductors such as Lothar Zagrosek, James Bagwell, Jiri Starek, Urs Schneider, Alexander Mickelthwate, Peter Bay, Jac van Steen, Ovidiu Balan, Wen-Pin Chien, Kek-Tjiang Lim, John Kennedy, Carlos Amat, Oliver Diaz, and Celso Antunes.
Her concerts have taken her to Carnegie Hall, Avery Fisher Hall, Kennedy Center, Miller Theatre, MoMA, Whitney Museum, San Francisco Performances, Freer Gallery of Art, Morgan Library, Stanford LIVE, (Le) Poisson Rouge, National Gallery of Art, Corcoran Gallery, Spivey Hall, and throughout Europe and the Far East; as well as Festivals worldwide at Lincoln Center Mostly Mozart, BAM’s Next Wave, Spoleto and Portland International Piano Festivals in the USA, Chopin Festival in Austria, Flanders and Ars Musica Festivals in Belgium, Shanghai New Music Festival in China, Divonne Festival in France, Schleswig-Holstein, Potsdam and Husum Piano Rarities Festivals in Germany, Kings Place in London, Millennium Festival in Spain, Festival Archipel in Switzerland, and Winnipeg New Music in Canada. Since 2014, she has joined Philip Glass in his ongoing world tour of his complete Piano Etudes. She will make her debut in Lincoln Center’s Great Performers Series in the Fall of 2017.
Jenny’s extensive discography includes critically acclaimed recordings on Steinway & Sons, hänssler CLASSIC, eOne Records, BIS Records, Albany Records, and Sunrise Records. Since 2000, she has over thirty albums to her credit. The New York Times called her disc of Federico Mompou’s Musica Callada “…beautifully recorded…”. Classicstoday praised her 24 Preludes and Fugues Op. 87 by Dmitri Shostakovitch “…hands down the finest version of this massive work” and was voted Best of 2009 by the Washington Post, All-Music Guide raved: “The 11th Finger is a thrill ride for musical adventurers” and “Lin’s playing is nothing less than superhuman”, and Gramophone reported on her CD of Stravinsky’s solo piano music “superbly recorded… another notable achievement from this gifted and imaginative artist.” Other notable recordings have included Liszt Sonata and Schumann Fantasie, music for Piano and Orchestra by Ernest Bloch, Xavier Montsalvatge, Ma Shui-Long Piano Concerto, and ‘Get Happy’, an album of Broadway song arrangements by pianists such as Stephen Hough, Marc-Andre Hamelin, Chistopher O’Riley, and Stephen Prutsman. Most recent releases include “Melody’s Mostly Musical Day”, an album for children, “The Spirio Sessions”, a two-piano disc with Uri Caine, piano music of Prokofiev and Zaborov, and the complete Piano Etudes of Philip Glass.
Jenny is the central figure in Cooking for Jenny by Elemental Films, a musical documentary portraying her journey to the north of Spain and meeting with composer Javier López de Guereña for the preparation of the world premier of his piano concerto ZAHARA. Other media appearances include CBS Sunday Morning, NPR Performance Today, and “Speaking for Myself”, a film about Manhattan as seen through the eyes of eight contemporary artists by filmmaker Bert Shapiro.
Born in Taiwan and raised in Austria, Jenny studied with Noel Flores at the Hochschule für Musik in Vienna, with Julian Martin at the Peabody Conservatory in Baltimore, and with Dominique Weber in Geneva. She has also worked with Leon Fleisher, Richard Goode, and Blanca Uribe, and with Dimitri Bashkirov and Andreas Staier at the Fondazione Internazionale per il pianoforte in Como, Italy. She holds a bachelor’s degree in German Literature from The Johns Hopkins University and currently resides in New York City.